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Books with recipes for hand dyeing with disperse dyes
Ann Milner
Ashford Book of Dyeing
Holly Brackmann
The Surface Designer's Handbook
However, disperse dye can be used by even young children to make designs on paper, which can then be transferred to polyester fabric, or other synthetics, with a hot iron. The possibilities are endless, using fabric crayons, rubber stamps, painting, and even screen printing.
If you have a washable garment, you may be able to find someone who does custom dyeing on my Listing of Custom Dyers page. Do not post your need there; instead, check for someone advertising services there. Most dyers are willing to dye natural fibers only and refuse to consider dyeing polyester garments.
Note that, like most dye, disperse dye is transparent. This means that you should transfer it only onto white or pale colors of fabric, so that you can see the results.
Just as with the Crayola fabric crayons, you can use disperse dye to paint on paper, then iron it on to your fabric. Mix the dye with enough boiling water to dissolve it, then dilute with cool water to the desired strength - trial and error must be your guide here, keeping in mind that you cannot know how intense the final color will be until you actually iron it on, as it is much more beautiful on the cloth than on the paper. See the Batik Oetoro web site and Prochem's instructions for transfer printing (via the links below) for detailed directions.
If, like most irons, yours has holes in its face plate, you
must be sure to move the iron around constantly during the
transfer process, to prevent holes from appearing in your
design, and yet you must not allow the paper transfer to move on the fabric,
or the image will be blurred. A heat transfer press, such as are used in t-shirt
shops, would be more desirable, as it not only lacks holes,
but, more importantly, reaches a higher temperature. However,
at around a thousand dollars, this is far more of an investment than most individuals
are prepared to make. For a more modest sum, consider the Dry Iron, without steam holes, at the Vermont Country Store's website.
A consistently inspiring fabric artist and author, Carolyn Dahl, wrote a book called Natural Impressions: Taking an Artistic Path Through Nature with many inspirations as to the use of natural materials in applying designs to cloth; while it does not mention disperse dyes on polyester in this book, as far as I recall, some of the leaf projects, in particular, might be perfect for a similar technique. (I love Dahl's books, and recommend them highly.)
PROchem provides excellent technical support for their products, including online explicit directions for dyeing synthetic fibers with their PROsperse line of disperse dyes:
The other US source of disperse dyes, Aljo Dyes, provides a small amount of information, as well:
Batik Oetoro gives instructions for transfer printing and immersion dyeing with disperse dyes, which they sell under the brand name of Polysol Dyes.
Jacquard Products gives one page of instructions for using both their iDye and iDye Poly dyes; the dyes are described as "easy to use washing machine dyes", but the detailed instructions clarify that stovetop heating is required for iDye Poly. (Just plain "iDye" dyes, as distinct from "iDye Poly", are direct dyes, which do not work on polyester, only on cellulose fibers and silk.)
(If any of these links ever break, just go directly to the company's web site and look around.)
PRO chem # | Name | Colour Index Name | ||
---|---|---|---|---|
D118 | Bright Yellow | Disperse Yellow 218 | ||
D225 | Clear Orange | Disperse Orange 25 | ||
D333 | Fuchsia | Disperse Violet 33 | ||
D350 | Flame Scarlet | Disperse Red 325 | ||
D360 | Bright Red | Disperse Red 60 | ||
D426 | Turquoise | Disperse Blue 26 | ||
D450 | National Blue | Disperse Blue C-4RA (manufacturer's mix?) | ||
D459 | Bright Blue | Disperse Blue 56 | ||
D460 | Deep Navy | Disperse Navy 35 | ||
D650 | Cool Black | Disperse Black C-MDA (manufacturer's mix?) | ||
D770 | Meadow | In House Mix | ||
D773 | Sage | In House Mix | ||
D880 | Iris | In House Mix | ||
D885 | Lilac | In House Mix | ||
D125 | Buttercup | In House Mix |
Polyester fibers are sold under various names, including the following: Crimplene, Dacron, Enkalen, Lavsan, Mylar, Tergal, Terlenka, Terylene, Trevira, Polarfleece, and Polartec. Polyester is, chemically, a fiber made of poly(ethylene terephthalate), and can be made from recycled plastic bottles. Plastics marked with the recycle logo containing a number 2 are HDPE (high density polyethylene), plastics marked with the recycle logo containing a number 4 are LDPE (low density polyethylene), and plastics marked with the recycle logo containing a number 1 are PETE (polyethylene terephthalate - e.g., Dacron, Fortrel, Mylar).
A new polyester, called Corterra®, was developed in the 1990s by Shell and licensed by KoSa; it is composed of polytrimethylene terephthalate, and is dyed with disperse dyes like other polyesters.
Nylon, chemically a form of polyamide, is sold as Antron. The form described as Nylon 6,6 is stretch nylon, sold as Ban-Lon and BriNylon. Nylon 6 (polycaprolactam) is sold under the names Akulon, Amilen, Carpolan, Enkalon, Grillon, and Perlon. Nylon 11 is sold under the name of Rislan. (See How to Dye Nylon.)
Polypropylene should not be dyed at home or in the studio. It is popular for hiking socks and long undergarments. Names under which it is sold include Meraklon, Monolene, Polyfilene, Prolene, and Ulstron. Products marked with the recycle logo containing a number 5 are polypropylene.
Polyvinyl chloride. Products marked with the recycle logo containing a number 3 are PVC.
Acrylic is sold under names such as Orlon, Courtelle, Dralon, Leacryl, and Nitron. It is composed of poly(propenonitrile)(polyacrylonitrile) with small amounts of a comonomer. Acrylic can be dyed to pale or medium shades with disperse dye.
Modacrylic is sold under names such as BHS, Creslon, PAN, and Teklan, and also, according to Ingamells, as Lycra (which must have been a misprint). Modacrylic fibers are between 35% and 85% acrylonitrile, and are made from resins that are copolymers (combinations) of acrylonitrile and other materials such as vinyl chloride, vinylidene chloride or vinyl bromide. Modacrylic can probably be dyed just like acrylic.
Lycra, a spandex fiber produced by Dupont, is elastic spun polyurethane, a plastic which is also used to construct upholstery foams. It must not be subjected to high heat, and is thus not appropriate for use with disperse dye. Most lycra garments contain a high percentage of cotton, which can be dyed with cool water fiber-reactive dye; often, the undyed lycra does not even show on the outside of the garment.
Ingeo® is a "natural" polylactate fiber derived from corn. It can be dyed only with disperse dyes, like polyester, but it shows lower washfastness with these dyes than does polyester.
Source for names (except for Ingeo): Wilfred Ingamells, Colour for Textiles: A User's Handbook, The Society of Dyers and Colourists, 1993, ISBN 0 901956 56 2.
All powdered dyes are dangerous to breathe, like most powdered substances. Even many foods can be quite damaging when inhaled in powdered form. Avoid breathing dye powder. Wear a dust mask while measuring any dye powder, and wipe up spilled dye, of any dye class, as it may turn back into powder when it dries.
Another safety issue is allergenicity. It seems that disperse dyes on fabric are more likely to cause allergies than other textiles dyes. Fiber reactive dyes are known for their ability to cause serious allergies to those who carelessly breathe the dye powder while measuring it out, but, once they are chemically bonded to the fiber and excess dye has been fully washed out, they are suitable for even the chemically sensitive. Disperse dye, in contrast, may cause allergic reactions in susceptible people, just by their wearing clothing dyed with it. This may be due to some dye molecules rubbing off of the fiber. This problem, though not at all common, may be seen with commercially dyed fabric as well as home-dyed fabric, and may be partially responsible for the preference for natural fiber clothing among the chemically sensitive. (Reference: J Am Acad Dermatol. 1995 Apr;32(4):631-9.)
Since no disperse dyes (and few other textile dyes) have been shown by safety testing to be harmless when consumed by humans or animals, the cooking pot used to boil the dye with the fiber should not be reused for food preparation.
Kate Wells' Fabric Dyeing and Printing, from Interweave Press, 1997, shows photographs of the process of transfer printing on polyester with disperse dyes. Illustrations and instructions include simple transfer printing, printing with leaves that have been coated with disperse dye, simple resists of disperse dye transfer, and pressure steaming after direct application.
Ann Milner's Ashford Book of Dyeing, from Shoal Bay Press, 1998, includes a three-page chapter with detailed clear recipes for using disperse dyes in a dye bath, by direct application, and by heat transfer.
Holly Brackmann's The Surface Designer's Handbook: Dyeing, Printing, Painting, and Creating Resists on Fabric, from Interweave Press, 2006, is the best book I've seen on disperse dyes for hand dyers, with an eight-page chapter on them. She includes separate recipes for disperse immersion dyeing of nylon, acetate and acrylic; disperse immersion dyeing of polyester; direct application of disperse dyes on nylon, rayon acetate, and polyester; and transfer printing, plus a number of variations for transfer printing, including combining transfer printing and permanently pleating polyester in a single step.
A.K.R. Choudhury's far more technical Textile Preparation And Dyeing includes far more information on different properties of disperse dyes on different textiles, and of the many problems involved in their preparation and use, from the perspective of the textile industry.
All of the pages on this site are copyright ©1998‑2025 Paula E. Burch, Ph.D.
Last updated: January 15, 2014
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